MINJUNG KEY

기민정

b.1986 -

CV


Education

2016.   Doctoral candidate in Oriental Art, Seoul national University

2013.   Oriental Art, Seoul national University, MFA

2009.   Oriental Art, Seoul national University, BFA


Solo Exhibition

2024.   Salty Edge, Gallery Kabinett, Seoul.
2021.   Mist of Flames, Songeun Artspace, Seoul.

2019.   Hoisting paper, rolling up stone, floating sprinkles and then the fabrics, OCI Museum, Seoul.

2018.   Still in the weird, Songeun Artcube, Seoul.

2017.   That Era has passed, nothing left there anymore, Gallery Grida, Seoul.

2015.   Politics of the Love, Cheongju Art Studio, Cheongju.



Group Exhibition

2024. Suwon cultural Heritage night, HwasungPalace


2023. 

ONEPIECE, 111cm, Suwon

UiAF, Theo, Ulsan


2019. 

Trace of wind, Space So, Seoul

Summer Love, Songeun Artspace, Seoul.


2016. 

Journey to a Fluid Island, Geumho Museum, Seoul.

Asthetics of Oriental Ink, Hanwon Museum, Seoul.


2012.

Politics of Memory-Neue Emperika Group*, Zaha museum, Seoul.



Art Fair

2024.   ART BUSAN, Gallery Kabinett, Busan

2023.   The Preview, gallery playlist, Seoul


Grant & Fund

2022.   Support for artist*s studio, Seoul cultural Foundation

2021.   RESEARCH Seoul-art-support, Seoul cultural Foundation

2020.   On-line media art support program, Seoul cultural Foundation

2019.    OCI Young Creatives, Oci Museum

2018.   1st artist support program, Seokyo experimental artcenter, 

            Seoul cultural Foundation


Residency 

2024.   Suwon Pureunjidae changjak saemteo(Artist residency) 

             4th, Suwon cultural foundation

2023.   Suwon Pureunjidae Pureunjidae changjak saemteo(Artist residency) 

             3rd, Suwon cultural foundation

2022.   OCI R1211 Residency, Oci Museum, Seoul

2021.    Songeun Artist Studio, Seoul.

2015.    Participated in 9 th Artist residency program in Cheongju Art Studio.

2010.    &Kunstdoc Residency Program, KDL, Leipzig.


Biography/ Artist Statement


 기민정 작가는(b.1986) 2019년 OCI 미술관의 Young Creative 선정, 2021년 송은 Artist take over를 기점으로 서울에서 활발하게 활동하고 있습니다. 특히 작가에게 있어서, 2021년 송은에서의 전시는 화선지 작업과 유리 작업이 본격적으로 결합된 새로운 이정표이기도 합니다. 기민정 작가는 계원예술고등학교와 서울대학교 동양화과, 동 대학원을 졸업하고 박사과정을 수료했습니다. 어린 시절부터 트레이닝되는 한국 아카데믹 미술교육의 정규적인 이수과정을 통해 동양 전통 매체를 수료해온 환경은 그동안 해온 전통 매체에 대한 애정과 연구의 발단을 설명할 수 있습니다. 이렇게 가정된 작가와 매체와의 관계 속에서 작가의 작업이 구체화된 것은, 얇은 한지 회화 작업이 벽에서 떨어져 바닥에 특정한 형태로 부유하는 풍경이라든지, 창가에 붙여둔 그림이 한지의 투과성에 의해 벽에 회화적인 잔상을 남긴 우연한 순간으로부터 기인한다고 증언합니다. 작가는 일련의 비물질적인 찰나의 순간들에 물질성과 영원성을 부여하고자 하는 행보를 이어오고 있습니다.



Key Minjung (b. 1986) has been actively involved in the Seoul art scene since her selection as a Young Creative at OCI Museum of Art in 2019 and her participation in the <Artist Takeover> at SongEun Art Space in 2021. Her exhibition at SongEun in 2021, which saw a significant integration of hanji (traditional Korean paper) work and glasswork, marked a pivotal moment in her career. Minjung graduated from Kaywon High School of Arts, Seoul National University's Oriental Painting Department, where she also completed her doctoral program. Growing up in the structured curriculum of Korean academic art education, where she focused on traditional Eastern media, laid the foundation for her passion and research in this field. The connection between the artist and the medium s evident in Minjung's work, which includes landscapes where thin hanji paintings float away from the wall, forming specific shapes on the floor, or instances where paintings hung by the window leave pictorial traces on the wall due to the translucency of hanji. Key continues to imbue a sense of materiality and eternity onto a series of transient moments through her artistic endeavors.



Works


Purple Mandarine's dream

2024

Colors on Hanji & acrylic on silk

138 x 594 (empty108) cm


Dancing on the edge

2024

Colors on Hanji & silver leaf of silk

139 x 99cm


Sherbet punch lines series 1

2024

2 pieces of glass, Hanji and acrylic colors

43.5 x 43.5cm 



Sherbet punch lines series 2

2024

2 pieces of glass, Hanji and acrylic colors

43.5 x 43.5cm 

Installation View

2024

Minjung Key

기민정

b. 1986 -

CV


Education

2016.   Doctoral candidate in Oriental Art, Seoul national University

2013.   Oriental Art, Seoul national University, MFA

2009.   Oriental Art, Seoul national University, BFA


Solo Exhibition

2024. Salty Edge, Gallery Kabinett, Seoul, Korea

2021.   Mist of Flames, Songeun Artspace, Seoul.

2019.   Hoisting paper, rolling up stone, floating sprinkles and then the fabrics, OCI Museum, Seoul.

2018.   Still in the weird, Songeun Artcube, Seoul.

2017.   That Era has passed, nothing left there anymore, Gallery Grida, Seoul.

2015.   Politics of the Love, Cheongju Art Studio., Cheongju.


Group Exhibition

2022.   Boundless, Gallery playlist, Busan.

2021.   ‘Zaha Museum, Seoul.


2019.   

Trace of wind, Space So, Seoul

Summer Love, Songeun Artspace, Seoul.


2016

Journey to a Fluid Island, Geumho Museum, Seoul.

‘Asthetics of Oriental Ink‘, Hanwon Museum, Seoul.

‘Politics of Memory-Neue Emperika Group’, Zaha museum, Seoul.


Art Fair

2024 ART BUSAN, Gallery Kabinett, Busan


Grant

2019.   OCI Young Creatives


Residency 

2023.   Suwon Pureunjidae Creative residence program, Suwon.

2022.   R1211 OCI museum artist residence program, Seoul.

2021.   Songeun Artist Studio, Seoul.

2015.   9 th Artist residency program in Cheongju Art Studio.

2010.   ‘Kunstdoc Residency Program, KDL, Leipzig

Biography/Artist Statement


기민정 작가의 작업은 상당 부분 매체와의 관계 속에서 상정됩니다. 작가 주로 사용하는 한지와 먹은, 그 재료적 예민함에 기인해서 매체와의 긴밀한 이해와 소통이 요구되기 때문입니다. 작품에서 관찰할 수 있듯이 이러한 전통 매체의 연약한 이면에는 제스처를 즉각적으로 입력하는 기민한 면모 또한 존재합니다. 작가는 근작 중 대표적으로 <얼은 숨 속의 움직임-1>과같이 이전까지 화선지에 그려진 가벼움과 연약함을 어떠한 방식으로 물질계에 고정시킬지에 관한 고민의 연장에서, 유리의 중량감과 차가움을 화선지와 대비시키는 작업을 해왔다면, 최근의 신작 시리즈는 작가에게 내재된 율동성과 회화 언어의 논리에 의해 발생한 선들의 집합이 마치 괴석과 같은 형태를 구성하고 회화 내부에서 무게감을 띄며 세계에 존재하게 됩니다.


Much of Key Minjung's work is intertwined with the nature of the medium. This is mainly because her use of traditional materials such as hanji (Korean traditional paper) and ink, which demand a deep understanding and connection due to their sensitivity. In her works, there's a fluidity beneath the delicate surface of these traditional mediums, enabling spontaneous expression of gestures.


In earlier pieces such as "Movement in Frozen Breath-1," Minjung juxtaposed the weight and coolness of glass with the lightness and fragility portrayed on hanji, exploring ways to translate these qualities into tangible forms. However, in her recent works, she employs a series of lines driven by her innate rhythm and the logic of painting, creating shapes reminiscent of boulders. These shapes imbue her paintings with a sense of weight and presence in the world.

Works

Installation Views

2024

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